Learning Journal II – Grant Oliver
Learning Journal II
What is your unique gift? – Do you believe in it enough to invest everything you have in it?
- I believe my unique gift would be my passion for sharing music with others. I’ve already started down the road of structuring my life around this passion, from teaching others about music, to creating new music for others to enjoy. So I would say I believe in it enough.
What difference are you trying to make in the world? – How passionate are you about doing this?
- I want to change how people think about music. Music already impacts how people feel and I would want to share more music like this. Music that affects how people go about their day and that could change their life.
How do you define success for yourself? – What challenges do you face in order to create success?
- I would define success as being in a position where I have the freedom to pursue my art while also being able to support myself and my family. This of course can be a challenge, as everyone knows music doesn’t pay beans. So the largest challenge is finding a sustainable income through my music.
What is career vision and a mission?
- My career vision is to impact as many people with music as I can. This summer I will be starting as music director at a local church. I think this is a great way to get involved in the community and start meeting musicians and begin to teach new ones. I eventually want to partner with this church and jump-start their songwriting team and recording studio.
Can you innovate and creates value and successfully communicate that value to intended audiences?
- I think that I can lead by example. By pushing myself to be the best musician I can, I will have the opportunity to communicate with audiences.
Do you have a positive attitude?
- Of course! I’ve always set big goals for myself and believed I can achieve them.
Have you set your goals? What is your road map to success? Can you set inspiring and realistic goals?
- I have, see the above about being creative and financially stable. But my road map to success mainly involves being diverse and open to new opportunities, because you never know which ones will be successful
Do you have and/or acquire the necessary expertise to actualize your vision?
- I think I’m entering my field with a good amount of knowledge to accomplish the things I want. Of course, there will always be new things, and i’m always ok with having to learn new systems.
What opportunities are you looking for? What opportunities are you creating or intend to create?
- I’m always looking for opportunities to partner with great people. I believe that all the best things are created with multiple people, so I’m always looking for people that can help do the things that I can’t.
How comfortable are you with uncertainty? What risks are you willing to take?
- I’ve always been pretty comfortable taking risks. I would never gamble everything I have, but I’m always willing to try a new path if it looks promising.
When facing challenges, do you persevere or do you walk away?
- I persevere as long as I still see it as a positive opportunity.
What actions are you taking to realize your vision? Are you consistently taking action?
- My main philosophy is to work for the job you want, not the job you have. I’m always trying to better myself, to learn new things, and to open new doors.
What is your plan to continually grow and evolve? How have you grown or evolved in there past year or three?
- See the above for future growth. But over the last three years I think I have grasped what I can and cannot do, and I think this is important for being able to set realistic goals.
How easy is it for you to reach out to others to ask for support and to offer help?
- I’ve never had an issue asking others for help. One of the most important qualities of a leader is knowing when you aren’t able to do something, and being able to ask for help and advice.
How are you inspiring others to join and/or support your mission in order to create a financially sustainable enterprise that allows you to live your gift and contribute something valuable to society? – If you aren’t currently, how do you intend to?
- Like I said, I’m currently employed as music director. This alone will give me a good financial backbone, and I also intend to diversify. I already give lessons and record sessions at my house, all these come together to allow me to create under a sustainable income.
Marissa/Derisa/Joseph/Bailee – Grant Writing Group Project
Dream Support Grant
The NSLS aims to empower and engage individuals in embarking upon their dreams and aspirations. We recognize that working towards a personal goal takes unlimited hard work, unyielding determination, and unbreakable courage that must defy all odds. The purpose of this grant is to support individuals in achieving their dream. Please note: This is not a need based award. Those seeking scholarships for tuition or books/materials should apply for the Academic Excellence or Financial Aid Materials Award.
AWARDS
- $5,000 is available to be awarded for each scholarship term. Applicants must specify the amount they are requesting.
- Number of Recipients: Due to the various amounts requested, there may be multiple winners
- Certificate of Accomplishment
- Featured in our newsletter
ELIGIBILITY
- Inducted Member of the NSLS (steps to induction completed—it is not necessary for you to have attended an induction ceremony to be eligible)
- Minimum cumulative GPA of 3.0
- Attendance or credit from at least one NSLS event/meeting from previous calendar year at the time of submission
REQUIREMENTS
- Completed online application.
- Copy of most current transcript.
- Maximum three (3) page essay (12 pt. font, double-spaced) or VIDEO (no longer than three minutes) that includes the following:
- Amount you are requesting and where the money is specifically needed (outline of costs).
- Your dream: how this dream came to be, what are your action steps to achieve it, and what obstacles or challenges have you had or are expecting to have in achieving it?
- How will this grant directly contribute to you accomplishing your dream?
- Provide two or more examples of how your membership in the NSLS has positively contributed to or influenced those around you.
Part 1:
| Foam Panels | $59.97 |
| Neumann Microphones | $699 |
| Logic Pro X | $199.99 |
| iMac | $1,499 |
| Audio Interface | $699 |
| Total Expenses: | $3,156.96 |
My dream is to be a producer with my own recording studio. Of course it will take some time to afford leasing a venue, so the studio may have to start as a spare room in my home. In order to make the recording studio come to life, I would need the essential things listed above which would cost approximately $3,156.96. The foam panels ($59.97) are important for acoustic absorption so that all that remains is the direct sound from the instrument to the microphones. Of course a microphone will be essential for recording, with Neumann ($699) being a great multipurpose microphone. The iMac ($1,499) will be used for the creative work that will be done through the digital audio workstation of Logic Pro X ($199.99). The audio interface ($699) will be used to upgrade the sound output of the computer.
Part 2:
Growing up in the islands a place that is engulfed by a musical scene that is much unique to anywhere else in the world and spending much of my free time in the church I fell in love with music. I would turn on the television and devote most of the viewing experience to networks that transmitted music videos, behind the scene specials, and interviews with my favorite artist. It was in those precious moments I knew I wanted to be a music producer. Over the years I have dedicated my life to learning how to play musical instruments and how to use recording software, the struggle however has been finding a space or rather the funds to support the endeavor; a place that is free of distractions where others along with myself are able to create. In addition to finding a space, other challenges I may encounter are obtaining funds to buy basic music equipment (microphones, interface, computer etc.)
Part 3:
This grant will directly contribute to my vision of opening up my own recording studio by providing the funds that I would not otherwise have to buy the necessary equipment to operate. The grant would directly attribute to microphones, computer, interface, outboard gear, plugins, desk, sound absorption material etc.
Part 4:
In the Fall of 2018, I underwent the process to be inducted into the National Society of Leadership and Success (NSLS). After being inducted, I noticed that I had a new perspective on Mondays. Before my membership in NSLS, I used to think that Mondays were a drag but now I view them as the first opportunity to put myself in a position to achieve my weekly goals. The people around me noticed that my spirits were lifted and I had became very excited for Mondays. Additionally I believe, motivational Mondays had a huge impact on how I viewed them. The second thing people noticed was my new viewpoints. Through the various speaker broadcasts I was able to achieve a better understanding of myself. It change my philosophy for the better. NSLS provided me with the mindset for academic excellence.
Networking assignment #2 Angelika Robison
Jazz week at Jacksonville University
During my time at Jacksonville University, I have been lucky enough to be apart of two years of our jazz festival. While participating in the jazz festival we had multiple performance opportunities, master classes, and many guest artists. This year we had the experience of having Geoffery Keezer and his wonderful trio, which while having them I got to escort and hangout with during the week. I also had the pleasure of meeting Nick Urie, and Joel Griffin. Nick Urie is the assistant professor of contemporary writing and production at Berklee School of Music. Joel Griffin is the assistant professor of jazz studies at Evangel University, both of which are amazing teachers and tremendous performers. While with them during the week I was able to talk to them at length about my career and what I could do better it moving forward. Getting advice from two fantastic musicians is significant to my career. I was told that with the networking skills that I showed them whilst talking to them they were impressed with the questions I asked them.
Networking Assignment II – Kelly Wolfe
My second network experience happened earlier this semester when the group of the Into the Woods cast traveled up to South Carolina to participate in KCACTF. When preparing of the trip, I definitely mapped out which workshops I wanted to attend and polished off my package for the Irene Ryan competition. My whole mindset for this trip was to have fun and to not stress on whether or not I make it through to the next round of the Ryans. This was the first and last festival that I would participate in over the course of my 4 years at Jacksonville University so I wanted to experience as much as possible before I was tossed out into the real world.
The first big event to happen was the first round of the Irene Ryan competition. We were assigned to flights (or groups of people) and we would go in one group at a time to perform in front of the adjudicators. My flight was around 10 am but for a better flow of the competition, the people running the process told us to arrive an hour earlier. My partner, Axel Barry, and I both were excited and just wanted to have fun. We didn’t really put a lot of pressure on to it because even if we didn’t make it to the next round, we still had the rest of the weekend to participate in the festival. I think it was great to have Axel with me because he’s the type of person who can talk to anyone. He also helped me to become more comfortable in these social situations. We were able to converse with the group that followed us in our flight. We talked about theatre and about the festival which helped us all fight off what nerves we had.
Later on that evening, I found out that I was lucky enough to make the cut from 180 competitors to 40. This also meant that I had to perform the next day in the semi-finals which would be performed in front of judges and also an open audience. When it came time for the next round, Axel and I had another chance to talk to a new group of talented people as we were waiting. This group was amazingly talented people were super nice and welcoming. I connected with a few of them over social media and we even talked about future auditions we were going to. When it came time for the competition part, we were all very supportive of each other backstage. It was awesome to watch some live theatre from the wings and feel supported by the others backstage even though I was competing against them.
Even though I wasn’t able to make it through to the next huge cut, I still made the most of my time in South Carolina. I ended up going to an audition for a highly regarded Broadway choreographer and was able to make a great impression on him plus receive some positive feedback. I also made a ton of friends through this experience and still have a social media connection with a ton of them. I really believe that KCACTF was a great experience for me to get out of my box and network with people. I think I’ll be better suited to network without the help of other friends net time. I feel as though auditions and musical theatre events are better suited for me to network out but it totally make sense. I feel like if I become more confident in networking in these types of environments, I can always transfer that confidence to other non-related events.
Derisa’s Artist Case Study

With a career spanning over two decades, 22 Grammys, multiple business investments and accolades, and being responsible for the success of some of the biggest names in entertainment it is only fitting that I conduct my artist case study on the cultural icon that is Shawn “Jay-Z” Carter. Personifying the “American Dream”, Jay-Z has build an empire by investing in sports entertainment, clothing, luxury spirits, night life, a global streaming service and creating a record label from the ground up that has reshaped HipHop culture. Before he became one of the genre’s most recognizable figures, he was a poor kid born and raised in Brooklyn, New York’s toughest neighborhood of Marcy projects. Escaping poverty, and rising beyond a past of illegal drug sales, Jay-Z is now a successful rapper and producer, entrepreneur, record executive, and philanthropist who has curated a blueprint for success.
- How do you fund your work?
In 1995, Jay-Z used the money he received from signing deal with Payday Records to start his own label, Roc-A-Fella Records, alongside his former associates, Damon “Dame” Dash and Kareem “Biggs” Burke.
Roc-A-Fella began in a small office space in a low-rent part of downtown New York City, operating first as an independent label then as an imprint of the Island Def Jam Music Group. Its first release was Jay-Z’s debut album, “Reasonable Doubt,” which dropped in 1996 to critical acclaim and modest commercial success.
The label would go on to release some of the best and most commercially successful rap music of the late 1990s and 2000s, including Kanye West’s first six albums, and every Jay-Z album through 2013’s “Magna Carta Holy Grail.” Jay-Z in turn used his money to fund Roc Nation in 2008, an entertainment company that is home to artist like Rihanna, Jcole, and Shakira.
- Do you have a mission or vision?
Jay-Z’s entrepreneurial vision and wealth have grown exponentially since the rapper’s career took off in the early 1990s.
The rapper-mogul made his first major business move in 1995, when he founded Roc-A-Fella Records.
As his rap career prospered over the ensuing decades, Jay-Z also began an insatiable pursuit of new business opportunities, including the founding of several companies and making a number of other shrewd investments that extended beyond the rap world.
From starting record labels and a clothing company, to making major moves into sports management with Roc Nation Sports, and into the competitive world of streaming with Tidal, Jay-Z’s wide-reaching entrepreneurial efforts continue to embody one of his most famous lyrics: “I’m not a businessman / I’m a business, man.”
Jay-Z is the richest hip hop artist in the world with an estimated net worth of $900 million.
Did you look at someone else’s career to make a path for your own and if so, what was it?
Jay-Z admired and studied the work of people like Warren Buffett and Sean “Diddy” Combs the latter in which he surpassed in net worth in recent years. For his musical inspirations Jay-Z is credited artist like Big Daddy Kane, Jaz-O (his mentor from which he got his name), Queen Latifah, and KRS to name a few.
- How are you connecting and building audiences and how do you market to them?
Jay Z has collaborated many times with fellow rappers and hip-hop artists who have the same or a very similar target audience. But by occasionally partnering with an artist outside his own genre (Alicia Keys, Fall Out Boy, Linkin Park) Jay Z doubles his listeners. He is also very personable. Aside from roaming the streets of New York for a casual walk, Jay-Z has done interviews that allowed fans to ask him the questions, engaged in Q&A on Twitter, and more importantly captured audiences by steadily evolving in terms of his subject matter in his music. The mogul has also found new ways to market his music such as dropping surprise albums and securing lucrative deals such as the infamous deal with Samsung where he gave away 1 million copies of his album Magna Carter Holy Grail to buyers of the brand. That deal certified the rapper’s platinum before its release day. Finally he attracts none listeners through his philanthropy. He supports causes such as education and prison reform.
Learning Journal #2 Angelika Robison
Learning journal assignment
Angelika Robison
What is your unique gift? – Do you believe in it enough to invest everything you have in it?
-my unique gift is my ability to market myself as a diverse performer. I command my audience with my stature, and i persuade very well. I sing jazz with a modern musical theatre flare.
What difference are you trying to make in the world? – How passionate are you about doing this?
-I want to shine a light on female jazz vocalists in a small combo setting and bring attention to jazz clarinet, vocals, and dance. I am very passionate about what I do, I am willing to fail until i make my mark on at least one person.
How do you define success for yourself? – What challenges do you face in order to create success
I define success as bringing my music to others and having my audience react with some emotion. Rejection and people not understanding the point of what I want to do.
-I want to create a small combo including upright bass, clarinet, piano, drums, vocals and trumpet.
What is career vision and a mission?
-my mission is to treat every performance like it is my last, to put my everything into everything that I showcase. I want to network efficiently and obtain a great reputation with top level musicians.
Can you innovate and creates value and successfully communicate that value to intended audiences?
-yes i know how it work the crowd, and I know what an audience wants to see and hear. I love to see and hear reactions to what I am doing on stage, when I get the reaction that I wanted I am satisfies.
Do you have a positive attitude?
-I do, I know things may not always go the way I had originally anticipated, and I know that sometimes i may struggle with coping with that, but at the end of the day I am truly blessed to have the opportunities that I have been given.
Have you set your goals? What is your road map to success? Can you set inspiring and realistic goals?
-Yes, I feel that I have set realistic goals for what I want to achieve. My day to day life, my monthly success, and my long term aspirations and goals have been mapped out to ensure my potential is met. It is hard to say though exactly what will happen since everyday is very much up to chance, but I know what I want to achieve. Some of my goals include creating and managing a jazz combo including myself as the vocalist. Another goal I have is to market/ network myself as a hard working individual. I feel my goals are very achievable.
Do you have and/or acquire the necessary expertise to actualize your vision?
What are your priorities? Can you set priorities?
My priorities are to have a healthy lifestyle, to have a healthy relationship (friends and family) and to creat memorable experiences to better my craft and my understand of our art. Yes, but I am always learning from the people around me, colleagues, teachers, friends, and family. I see it as a tool belt just getting bigger with knowledge to hone in on my craft and further better myself.
What opportunities are you looking for? What opportunities are you creating or intend to create?
I hope for my networking skills to land me a job at a theatre company and I also would like to start performing jazz with a combo.
How comfortable are you with uncertainty? What risks are you willing to take?
When facing challenges, do you persevere or do you walk away?
-I am not keen on uncertainty, but I am willing to take risks if that could mean new opportunities and success. I am very willing to move to another state or country to pursue my career and where ever it takes me.
What experience have you learned the most from?
-Heartbreak and disappointment have helped me understand that its not always rainbows and butterflies. Things go wrong and life is unpredictable so its hard to know when to move on.
What actions are you taking to realize your vision? Are you consistently taking action?
-I am making relationships with the Jazz faculty at Jacksonville University, and I am making strong connections with the jazz students.
How well do you put things in context? Are you able to easily respond to changes in your environment? What’s your best example?
-I am very quick on my feet. An example of adapting to my surroundings would be during a recent performance my microphone wasn’t working properly and it turned off, instead of worrying about it, I let my previous training kick in. I didn’t worry abut it, I chose to project out into the audience to make sure i was heard and continued to perform.
What is your plan to continually grow and evolve? How have you grown or evolved in there past year or three?
-I plan to keep learning my craft and continue growing as a performer and artists. I’ve gotten leadership opportunities, opportunities to choreograph and assistant direct shows.
How easy is it for you to reach out to others to ask for support and to offer help?
- It is very easy for me to ask others for help. I know when I’m wrong and when I need help, I also know my strengths and weaknesses. I inspire to create music with other passionate musicians.
How are you inspiring others to join and/or support your mission in order to create a financially sustainable enterprise that allows you to live your gift and contribute something valuable to society? – If you aren’t currently, how do you intend to?
-I inspire others to push themselves harder by being straight forward and confident in their own decisions. I inspire also by showing my and confident in their own decisions. I inspire also by showing my passion in performing and having a successful outcome. Yes, I am. always trying to soak up new material and meet new people who can help me along the way.
Ve Neil Artist Case Study
- What makes you and your work unique?
- Ve Neil is well known for self teaching, with addition of other make-up artist showing her tips and tricks. She credits being able to examine the legendary work of John Chambers and Fred Phillips, in order to grow as an artits.
- Do you have a brand or artist statement?
- Ve Neil is famous for her amazing work in beetlejuice, Mrs. Doubtfire, Ed wood and so many others but, she also serves as a judge on Syfy original series Face Off and as Director of Education at Cinema Makeup School in LA, California. She teaches and hosts a scholarship at the school for new students called Ve Neil Legends of Makeup Scholarship. She also has a special effects makeup brand selled in nigelbeauty.com is a PPI Product is called Ve Neil Damaged goods Palette with a price of $80. Its an alcohol base face paint that can be only activated with 100% alcohol.
- Do you have a mission or vision?
- Her interest in the makeup world was broadened by leo lotito, a makeup artist for TV shows who helped her with her halloween costumes. Ve Neil, at age 18, went to a science-fiction convention to gather inspiration ended with Fred Phillips taking her under his wings and a job on Star Trek: The Motion Picture. Her vision is to inspire woman and men that we are needed to develop their skills and nobody should judge you for what your doing because if you can do it you will accomplish it.
- Do you have career goals laid out for the next 5-10 years?
- Ever since she started her career at age 18, she never stop working to other opportunities for other films or TV shows that she can work in. She saw herself as learning more throughout her journey to go big or go home.
- What do you do and what are you doing?
- She is currently a judge at Syfy original series Face Off. A director of Education in Cinema Makeup school. But she is still doing Makeup for well known films like Hunger Games and other upcoming movies that she collaborating.
- How are you connecting and building audiences and how do you market to them?
- Ve Neil is marketing herself by keeping on working and showing her audience that she can do anything so in other words she knows what she is doing and she wont stop.
- What opportunities are you on the lookout for?
- More Syfy movies and get a group of young people to mentor them and make them successful special effects makeup artist for film and theatre.
- Did you look at someone else’s career to make a path for your own and if so, what was it?
- John Chambers and Fred Phillips that actually made her as who she became to be.
- How do you fund your work?
- By working on extraordinary Syfy films and keep on learning while she works. By starting as an Assistant to Fred phillips to becoming a Director of education to Cinema Makeup School in LA, California.
- How did you initially get funding?
- She got her funding by being hired on the spot and get paid with Fred Phillips to work for Star Trek: The Motion Picture.
- What networks or organizations do you belong to and which ones have helped you the most?
- Ve Neil belongs to staff of Cinema Makeup School as a Director of education, a Judge for Face Off and of course her famous works in the best movies. Because of that she has been recognized and hired for more famous films.

Kristen Oliver: Networking II
Networking 2- Pate
Networking Assignment 2- Emily Pate
Over spring break, Nic and I traveled to Orlando to attend the Flower and Garden Festival at Epcot for the beginning of their concert series, “Garden Rocks.” Jon Anderson, lead singer of Yes, was the headliner March 11th. Nic’s cousin, Matt Brown, recorded Anderson’s newest solo album and is the tour drummer. While having a mini- vacation, I thought this was the perfect time to do some networking!
The first person I chatted with was David Brown, recording engineer and studio owner. He is also Matt Brown’s father. He sat with Nic and I during the show, but before it began we chatted about the album. He described the two year process that Matt went through as they perfected the ten song album. He and I also chatted about working on a demo tape for me to use for auditions in the near future. We obviously talked about the show after it was over, mostly focusing on Matt and how well he did (as any proud parent would) and the overall quality of the instrumentalists. David informed me that he knew most of the musicians onstage, even recording with a few of them. He introduced me to Michael Franklin, the keyboardist.
Michael was extremely nice to chat with. We didn’t talk long, but he was very gracious nonetheless. He has recorded backing keys with David Brown several times, hence the connection. We talked about how great Jon Anderson’s stage presence is and how even through a rough technical issue, he kept the crowd super engaged. I also asked Michael about having to learn some of Yes’ iconic music, and he said it was super intimidating but a great experience. He quickly went backstage to get ready for the next show, but then we were able to see Matt Brown.
Matt was the whole reason Nic and I went down to Epcot, so chatting with him was a no brainier. We talked a lot about the tech issues at the beginning of the set. Jon’s microphone was not on for most of the first song. Then, the replacement microphone cut out as well. The band kept doing their background vocals to “Owner of a Lonely Heart,” so it was cool to hear Matt’s singing, even at the expense of bad tech issues. Matt also talked about his kit and how many new cymbals he got from his sponsors. It was cool how what we’ve talked about in class related to “real life.” Matt was actually the producer of this record, so he discussed how rewarding it was to be the tour drummer after months of hard work in the studio.
So, overall this networking experience was much easier for me to accomplish and feel was productive. I got to talk about music (already much easier than art) and I was around people I knew either first hand or by one degree of separation. There were so many other nice people I got to talk to in the band or backstage, but it wasn’t enough to write about at this time. I do think networking is super important and will continue to get easier the more I do it. Since I am about to graduate, this will become a vital skill to keep in my back pocket.